Berkeley Arts Festival Calendar

10/24/2018

Storytime on Solano: Imagination Flannel Boards

Boards Bring your little ones to Pegasus on Solano for a fun, interactive, and educational morning. Imagination Flannel Boards will be on hand to share stories and songs that spark your children's imagination. They will engage with the storyteller through singing, repetition, and movement. They will cheer when the ducklings find their mother and laugh when the Old Lady swallows a cow! Every 4th of the month at Pegasus Books Solano.

Oct 24, 10:30am to 11:30am, Pegasus Books Solano 1855 Solano Ave, Berkeley

Kenan Obrien

Soulful Rock-- Bay Area style

Oct 24, 11:45am to 2:45pm, Cheese Board Pizza - 1512 Shattuck Ave, Berkeley, CA

Noon Concert: Gospel Choir *Note: actual end time may vary.*

D. Mark Wilson, director

Continuing its 66th season, the Noon Concert series features the Music Department's varied and diverse performance activities. Inaugurated in 1953, these concerts are very popular and well attended by those on campus and in the wider community. Traditionally on Wednesdays and Fridays, each concert begins promptly at 12:15 and ends by 1pm.

Oct 24, 12 noon to 1pm, Hertz Concert Hall

Stitch 'n Bitch

Oct 24, 6pm to 9pm, Caffè Chiave, 2500 San Pablo Ave, Berkeley

Shelley Jackson, author of Riddance

Shelley Jackson is the author of the short story collection The Melancholy of Anatomy, the novels Half Life and Patchwork Girl, several children's books, and "Skin," a story published in tattoos on more than 2,000 volunteers. She lives in Brooklyn, New York, and teaches in the graduate writing program at The New School.

Oct 24, 7pm to 8:30pm, Moe's Books, 2476 Telegraph Ave, Berkeley

Craig & MacGregor Band

Join The Craig & MacGregor Band for an evening of "Not Just Jazz," cheap drinks, good friends, and complimentary food from Bacheesos on Telegraph. Bar opens at 6:30pm | Music

Oct 24, 7pm to 11pm, The Marsh Cabaret, 2120 Allston Way, Berkeley

Jazz in the Neighborhood presents...Howard Wiley's Extra Nappy

Extra Nappy tenor saxophonist Howard Wiley has been a major force on the Bay Area music scene since his teenage years as a protégé of the dynamic Miss Faye Carol. His playing is steeped African-American idioms, from gospel, blues and jazz to R&B, funk and hip-hop. This loose and limber quartet delivers improvisation-laced arrangements of classic songs and features drummer Aaron Green, who toured with Lalah Hathaway, Sheila E and Cyril Neville, pianist/organist Lionel "LJ" Holoman, and bassist Michael "Tiny" Lindsey. Wiley's quartet plays next-level grooves with such a deep pocket it's not just nappy, it's Extra Nappy.

Extra Nappy offers a glimpse into an organically-developing musical movement encapsulating the vibrant history of African American music, from gospel, blues, jazz, R&B, and funk, all the way up to contemporary hip-hop.

Band Members and Instrumentation
Howard Wiley, saxophone
Aaron Green, drums
Lionel "LJ" Holoman, piano and organ
Michael "Tiny" Lindsey, bass

Artist/Group Bio(s)

If you've never seen the group live, expect a high-energy fusion of funk and soul mixed with top-notch jazz musicianship. Extra Nappy's band members have earned their stripes playing alongside some of contemporary music's finest voices, among them Lauryn Hill, Sheila E, Christian McBride, Alicia Keys, Steely Dan, Boyz II Men, Nas, the Mars Volta and Thundercat.

Facebook Link
https://www.facebook.com/extranappy/

Oct 24, 7:30pm to 9:30pm, Rendon Hall/Fiddler Annex @ California Jazz Conservatory 2040 Addison Street, Berkeley

Reasons For Moving w/ Fred Frith, Darren Johnston, Larry Ochs, Jordan Glenn, Jason Hoopes


Reasons for Moving is Darren Johnston (trumpet), Fred Frith (electric & prepared guitar), Larry Ochs (tenor & sopranino saxophones), Jason Hoopes (bass) and Jordan Glenn (drums).
Initiated by Darren Johnston and imagined originally as a one-off recording project, this un-categorizable quintet spearheaded collaboratively now by Johnston, Frith and Ochs has reformed in 2018 for tours, live recordings and unchartered adventures in sound and space. For this performance, the core players will be joined by Frith cohorts Jordan Glenn and Jason Hoopes.

"There are bands which you start listening to and you think, 'this is great, this is it!,' and sometimes that's a disappointing thought when the rest of the music does not meet the initial expectation, but that is definitely not the case with Reasons For Moving. The great thing about it all is that the focus is never lost, all tracks speak the same musical language, with lots of variations, but with raw emotions always on the surface, varying between sad melancholic moments to agonizing angst. These contrasting emotional fields are well brought up by this stimulating, creative, entertaining, and boundary-shifting music. - Stef Gjissels, The Free Jazz Collective

"One of the great things about this band is that Darren's trumpet and Larry's saxes work so well together, in similar tonal areas. Fred Frith is the perfect middle man, balancing between the horns and rhythm team perfectly, whether dealing in dark colors and shades or occasionally soloing underneath or with the spinning horns. On a few of these pieces, Frith gets a chance to lead and stretch out and turn the quintet inside-out into a strange twisted (prog?) rock unit. These pieces fall somewhere between Massacre and Material, yet they are still unique in their own way." - Bruce Gallanter, DMG Monthly

"Reasons for Moving stamp their class as improvisation and free jazz explode in aural splendor and imaginative propulsion in this collaboration. Each has established an undiluted reputation as a forward thinker in taking improvised music into new realms. Change for them is a constant challenge, one they meet on-the-go as they play with their own bands and with other musicians who answer to a similar calling. Composition has a certain place in their vocabulary, but the larger attributes come when they work outside of the framework. Notation can be the bridge between improvised passages as much as it can herald the beginning or the end. Surprise is welcome, and adds to the impact, but the bigger bang comes from the interplay between the members." - All About Jazz

Tickets are $15 in advance and $20 at the door. Advance tickets are available at the link below, or you may purchase your tickets at the door the night of the show. Doors open one half hour before show time. We accept cash only at the door (ATMs are nearby).

The Back Room is an all-ages, BYOB (for those 21+) space, dedicated to (mostly) acoustic music of all kinds. You are welcome to bring your own adult beverage with no additional corkage fee. If you need more information or have any questions, please call us: #510-654-3808. Thank you for your support!

Oct 24, 8pm to 10pm, The Back Room, 1984 Bonita Ave, Berkeley

Martin Hayes Quartet


The Martin Hayes Quartet

expands on many of the musical ideas pursued by Martin in his longstanding partnership with Dennis Cahill. The melody still remains central but now with an added range of sonic possibilities provided by the bass clarinet and viola d'amore. The addition of these instruments creates an added aural texture and amplifies the rhythmic possibilities while also allowing a larger role for improvisation. Both Doug and Liz bring a wealth of musical experience that contributes to the spacious, rich arrangements of the Quartet.

Oct 24, 8pm to 10pm, Freight & Salvage Coffeehouse, 2020 Addison Street, Berkeley

Stu Allen & Mars Hotel

A tradition started back in the 20th century, Ashkenaz's Grateful Dead Night is always evolving, reaching new heights since Stu Allen & Mars Hotel launched a weekly residency in late 2011. Led by acclaimed guitarist-singer Allen (of Phil Lesh & Friends, Melvin Seals & JGB, Ghosts of Electricity), a revolving cast of incredibly talented musicians inhabits Mars Hotel, drawing from the Grateful Dead's vast catalog to delight Deadheads and dancers of all generations. A Mars Hotel show is always an energetic evening of good vibes, good music, and good community.

When it became apparent that Jerry Garcia had played his final show in 1995, Stu Allen began working to keep Garcia's music, sound, and spirit alive in the concert setting. He regularly works with Phil Lesh and has also played sets with Bob Weir and Bill Kreutzmann. Allen is perhaps most known for fronting Melvin Seals' tribute to the Jerry Garcia Band from 2004 to 2011. He received more national acclaim in 2010 when he toured with Dark Star Orchestra. Allen shares the Grateful Dead's commitment to making each performance a unique event, from preparation to execution. He will perform multiple shows before playing the same song twice, and even then, that song will not be realized in quite the same way.

Mars Hotel takes this idea a step further by presenting a new band at each performance. Drawing from the rich music scene of the Bay Area, Allen has assembled a broad and ever-rotating group of musicians that makes each concert a once-only experience. As far as Grateful Dead tribute bands go, this is a concept that has never been done before.

Oct 24, 8pm to 11:59pm, Ashkenaz Music & Dance Community Center, 1317 San Pablo Ave, Berkeley

Spike James & The Names, Matthew Hansen, Matt Jaffe

Oct 24, 8:30pm to 11:30pm, Cornerstone, 2367 Shattuck Ave (Enter On Durant), Berkeley